The Castle of Otranto is a novel authored by Horace Walpole in the year 1764. It was the first novel of its kind to combine fiction and horror, death happiness and romance at some point. Additionally, it was the first ever Gothic fiction novel. The novel has a high sense of medievalism and terror.
In the book The Castle of Otranto the people of the castle are surrounded by unexplainable events. These events are in most cases damaging to one’s own mind. Those who are seen as great and loving are turn in to violent and unpredictable individuals. Those who were affected include the highest level of nobility, down as far as to the simple servant.
The prophecy stated that the Castle and Lordship of Otranto should pass from the present family whenever the real owner should be grown too large to inhabit it. On the day of the wedding, a large helmet appeared in the courtyard of the castle. When the family and all the guests saw the helmet, they noticed Conrad, crushed, underneath it.
Walpole’s The Castle of Otranto was the first gothic novel, and thus was the originator of many of the distinctive features that have pertained throughout the history of the genre. Early gothic was characterized by the rejection of enlightenment thinking in favor of the intense emotion and the supernatural, expressed in this extract particularly through the drama of a chase sequence.Learn More
See Article History. The Castle of Otranto, novel by Horace Walpole, published under a pseudonym in 1764 (though first editions bear the next year’s date). It is considered the first Gothic novel in the English language, and it is often said to have founded the horror story as a legitimate literary form.Learn More
The understanding of this framework is necessary for a modern understanding of Robinson Crusoe (Defoe, 2007). Horace Walpole’s The Castle of Otranto was published in 1764. During this phase of history the novel was still quite a nascent literary form.Learn More
In the second preface to The Castle of Otranto, Walpole acknowledges his authorship of the work and defends his use of both comedy and tragedy, elements that are tied to the story’s two classes of people. Modeling his mixture of comedy and tragedy on that of Shakespeare’s plays, the lower class characters are associated with comedy and the upper class characters with tragedy.Learn More
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The Castle of Otranto blends elements of realist fiction with the supernatural and fantastical, laying down many of the plot devices and character-types that would become typical of the Gothic: secret passages, clanging trapdoors, hidden identities and vulnerable heroines fleeing from men with evil intent.Learn More
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